Shots in the Dark: Fragments of the Ecological Conversation in Derek Tumala’s Phantom Limb

This review on Derek Tumala's "Phantom Limb" is written by Red Sales, a participant in the KLFI Art Criticism Writing Workshop 2025.

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The Path of Sacred Waters: Kung Iga na ang Bukal and Mount Banahaw

This review on "Kung Iga na ang Bukal" at Gravity Art Space is written by Frankie Locsin, a participant in the KLFI Art Criticism Writing Workshop 2025.

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Should have been Ipis not Isip: A Review of Dengcoy Miel’s Kathang Isip Ipis (2025)

This review on Dengcoy Miel’s "Mga Kathang Ipis" is written by Jan Marvin A. Goh, a participant in the KLFI Art Criticism Writing Workshop 2025.

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Interview: Yuji de Torres, 2025 PKL Center Research Grantee

Yuji de Torres, 2025 PKL Center Research Grantee, shares his thoughts about the grant and working with KLFI.

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Interview: Sofia Santiago-Jimenez, 2024 PKL Center Venue Grantee

Sofia Santiago-Jimenez, 2024 PKL Center Venue Grantee, shares her thoughts about the grant and working with KLFI.

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Drawing Connections: Bridging Art and Information as an LIS Student Intern of the Purita Kalaw-Ledesma Center

This essay is a reflection by Emman Baldonado during his internship at the PKL Center last 2025.

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Bridging Worlds: Reflections on my Internship at the PKL Center

This essay is a reflection by Joice Lynn Segovia during her internship at the PKL Center last 2024.

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Sa Pagitan ng Lagnat at Lunas

This review on "Fever Dream" exhibit at UP Vargas Museum is written by Maverick Alviar, a participant in our Art Criticism Writing Workshop last September 2024.

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Misplaced Heat: A Review of Fever Dream

This review on "Fever Dream" exhibited at UP Vargas Museum is written by Francis Eduard Ang, a participant in our Art Criticism Writing Workshop last September 2024.

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The Value of Gold: Looking at Ayala Museum’s Exhibition “Reuniting the Surigao Treasure: From the Collections of the Ayala Museum & the Bangko Sentral ng Pilipinas”

This review on "Reuniting the Surigao Treasure" exhibit at Ayala Museum is written by Veronica C. Fuentes, a participant in our Art Criticism Writing Workshop last September 2024.

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